Aline Burgess celebrates her entry to the Pantanal: “We are at a time when we see the uprising of black women” | wet land

in wet landMuch is said about him zuleka. jota (Julia Dalava) And Maria Broca (Isabel Teixeira), respectively, daughter and wife Tenorio (Morelo Benicio), already knew about its existence, and even who had already mentioned his name in bed, at the wrong time. But very soon, the character will have a face and a story. Translated by Allen Burgessis the second wife of the farmer, from the family who is hiding in São Paulo, but she will soon move to wet land.

A brief description of a kernel that has a lot to say, mainly to represent it.

“She’s a very stable woman in her life, independent, and very determined. He has great love and protection for these kids. She’s a black woman. You totally realize how much more difficult life can be for these kids. Because of all of this, she tries to keep the bosom of the family, the father figure This too,” says the actress, introducing the character.

For Allen herself, Zuleika represents a turning point in her career, which, not by accident, comes into conflict with a broader social world that, until then, has not been portrayed with the focus it deserves by telegram dramaturgy.

“It’s very hard to have that space. For me, it was important to get to that place through my blackness. (…]I have a very nice figure, in a prominent role, without that place of contempt reserved for black actresses, of submission, of service.” Always the maid or the maid or the thief.So, seeing Zulika, a trained woman, with her career, who does not depend on this man at all, is a real gift.We are at a time when we see the uprising of black women, who occupy their spaces, and have the courage to save their self-esteem, and strengthening each other,” she comments, which also addresses the inner differences of personality.

Tenório’s second family (Murilo Benício), in the ‘Pantanal’ – Photo: TV Globo / João Miguel Júnior

“She’s a very honest person, a very strong personality. How would you agree to be in a second family? I think he would talk a lot about this place. I can tell that nobody is just one, we are layers. Those layers will make a difference when you make the decision,” he continues. Allen.

A nurse, Zulika alternates motherhood with her three children, studies, takes care of the house and life between periods – she is a nurse. At first, everything was at a distance from Maria Bruaca, who, in turn, renounced her submission to Tenório, after finding out about the parallel family.

Gshow in 'Pantanal': From Madeleine's accident to Bruaca's betrayal, Tate Machado tells it all

Gshow in ‘Pantanal’: From Madeleine’s accident to Bruaca’s betrayal, Tate Machado tells it all

But, even with all the differences, the characters have a meeting point that unites them so much and that’s not the fact that they share the same pair.

“She doesn’t look at Bruaca competitively, and I think that’s very cute. In fact, what comes next is sympathy, care, and concern for this first wife,” says Allen.

As the story unfolds, in scripts and in scenes, Zuleka’s concern for this other woman becomes clear. There is brotherhood, a respect the author insists on making clear in the text. There is no competition between these women. There is a situation in which they have been placed and several layers that connect the two to Tenório for different reasons.”

In building the character, Allen highlights a corresponding point that she considers interesting: How can this independent woman relate to a man like Tenorio?

“Their marriage is an agreement, choices, a secret, a matter of the strong past that Zuleka holds. She knows this man, but she does not know exactly who Tenório is, perhaps because he is this father and trans husband. Because of her secret, it was very suitable (this marriage). Tenório arrived. At a very difficult time in her life. She went through a violent and abusive situation and hugged her. His arrival at that moment made him a very special place. She agreed to stay with him before she found out about the wedding,” he explains.

In the original version, written by Benedito Ruy Barbosa, the character is played by Rosamaria Mortino The family was not black. Choosing to update comes with a purpose well defined by the author of the new release.

“Bruno Luberi rewrites a lot of soap operas, brings them back into the everyday life of our time, after all, there are 30 years of difference,” she said. “The audience will understand, very subtly, that this father rejected these children in a certain way for not recognizing their racial identity. And perhaps, despite being a racist, he had an affair with this woman because she was not a dark black woman.”

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